Do you want to scramble to fit in? Or stand out as one of the best actors in the world?
Do you want to feel excited, inspired and re-energised by your work as an actor?
Do you want to start submitting self-tapes that not only get noticed but that you feel hyped about?
Do you want someone to motivate you into actioning your goals and dreaming up your ideal creative life?
I'm a Greenroom Award winning actor, writer and coach with over 15 years of professional experience. I’ve worked across many of the major theatre companies in Australia including Ensemble, Belvoir, Malthouse, Griffin, Queensland Theatre, Bell Shakespeare as well as in several television productions and I recently received the Casting Guild of Australia's Rising Star Award. I'm here to level you up as an actor so you can achieve your goals.
Period.
ABOUT ME
I grew up in Melbourne to Italian-Australian parents before moving to Sydney, graduating NIDA with a Bachelor of Fine Arts (Acting) in 2016.
Most recently I performed the role of Tom Wingfield in The Glass Menagerie at Ensemble Theatre and John Caleo in Holding the Man at Belvoir St Theatre, directed by Eamon Flack. Prior to that, a one man stage adaptation of Christos Tsiolkas’ Loaded at Malthouse Theatre, in which I won a Greenroom Award for Outstanding Performer - Theatre Companies.
Limelight said of my performance: 'Danny Ball is extraordinary as Ari ... He delivered the long monologue flawlessly.' Arts Hub: 'by the play’s end, you can hardly remember where you started – or believe Danny Ball is still standing … who is indeed magnificent in all aspects. The sheer control is astounding.' The Australian Book Review: ‘you can't take your eyes off him’, and this modest gem from Read My Blurb: ‘He gave one of the most captivating performances that either of us have ever witnessed … this man’s talent is unparalleled.'
Too kind.
And not wrong.
I have a life-long affliction for acting and storytelling and I am deeply passionate about helping actor’s seek the fullness of their potential.
Life is short, auditions come and go, and if you want to know what you’re made of, well… you gotta get moving.
Do you want to scramble to fit in or stand out as one of the best actors in the world? I know what I’d rather.
In addition to my professional work as an actor, I’ve been trained and mentored in several processes of actor training: Meisner, Lee Strasberg, Stanislavsky and most notably: The Pleasure to Play with Kristine Landon Smith and Yat Malmgren’s Character Analysis with the late Penelope Chater.
Let’s go!